'Fear and Loathing in Las Vegas' is a twisted, outlandish venture into the mind of a warped junkie, a reporter who is traveling to Nevada in order to cover a Hells Angels motorcycle race, along with his Samoan attorney Dr. Gonzo (Benicio Del Toro, who gained forty pounds for his role).
The first 5 minutes of this film is pure genius. I must give credit where it is due. You realise very early on that the setting, the costumes, the wide angle lens capturing the dessert, & the uncanny dialogue compressed with tape distortion & 60's EQ is all so contrasted that it sails to hilarity. And that is drugs in a coconut shell. it's funny.
This film isn't. In all my years of watching film & TV, I have never yet seen Drugs portrayed honestly. I don't know what the deal is, but everyone has a really mediocre & cliché opinion of drugs affects on the mind.
In reality, you don't have people being chased home by a party of mars bars. Instead, you feel relevant to your surroundings. So much so that it is easy to become paranoid, yes. But it never takes over as long as you have trust & communication. It is similar to experiencing the format of your childhood without the nostalgia. Everything feels new once more. It is both enlightening & cleansing. Almost spiritual, as felicity ramifies freely. And all the bullshit of the world's economic greed are left to destroy themselves with risk & hope.
Where as in movies. people just act like total raving loonies. Stumbling all over the place, & embarrassing everyone around them awkwardly until the director demands the wavering plot to return to drama & jokes based upon what people have already seen & accepted.
Instead of the careful pace & dosage made by men & women who's metacognition is in perfect check, so that they may better themselves by exploring the countryside, whilst familiarising themselves with how time can slow down to a steady tick, in order to take note of every beautiful detail in a heightened punctilious manner.. Instead, you have near invincible sebaceous men deploring decorum & forswearing moral alacrity as though their inner sanctum is filled with ever spurning antipathy. And the reckless craving to disturb everyone around them.
Well, this film is one of those films where the noises in your own head become louder than the dialogue in the film. 'Drugs are BAD. Yes. We get it'. I fail to see how yet another typical film with this dull & tired message has anything fresh to contribute?
How about a film that says 'Drugs are good'? Now wouldn't that be a controversy?
Avoid this film. Unless you think drugs are cool. In which case you are stupid enough to laugh at the same tired joke over & over anyway.
This film isn't. In all my years of watching film & TV, I have never yet seen Drugs portrayed honestly. I don't know what the deal is, but everyone has a really mediocre & cliché opinion of drugs affects on the mind.
In reality, you don't have people being chased home by a party of mars bars. Instead, you feel relevant to your surroundings. So much so that it is easy to become paranoid, yes. But it never takes over as long as you have trust & communication. It is similar to experiencing the format of your childhood without the nostalgia. Everything feels new once more. It is both enlightening & cleansing. Almost spiritual, as felicity ramifies freely. And all the bullshit of the world's economic greed are left to destroy themselves with risk & hope.
Where as in movies. people just act like total raving loonies. Stumbling all over the place, & embarrassing everyone around them awkwardly until the director demands the wavering plot to return to drama & jokes based upon what people have already seen & accepted.
Instead of the careful pace & dosage made by men & women who's metacognition is in perfect check, so that they may better themselves by exploring the countryside, whilst familiarising themselves with how time can slow down to a steady tick, in order to take note of every beautiful detail in a heightened punctilious manner.. Instead, you have near invincible sebaceous men deploring decorum & forswearing moral alacrity as though their inner sanctum is filled with ever spurning antipathy. And the reckless craving to disturb everyone around them.
Well, this film is one of those films where the noises in your own head become louder than the dialogue in the film. 'Drugs are BAD. Yes. We get it'. I fail to see how yet another typical film with this dull & tired message has anything fresh to contribute?
How about a film that says 'Drugs are good'? Now wouldn't that be a controversy?
Avoid this film. Unless you think drugs are cool. In which case you are stupid enough to laugh at the same tired joke over & over anyway.
Description
Fear And Loathing Meaning
The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the 'American dream'.. they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.
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Hunter S. Thompson (book), Terry Gilliam (screenplay), Tony Grisoni (screenplay), Tod Davies (screenplay), Alex Cox (screenplay) Where can you find serial number on iphone 6.
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